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Rote Frontkämpfer*innen? – Männlichkeit durch Exklusion in der Weimarer KPD

Felix Müller studiert Geschichte und Politik des 20. Jahrhunderts (M.A.) an der Friedrich-Schiller-Universität Jena. Seine Forschungsschwerpunkte liegen in der Europäischen Zwischenkriegszeit, der Weimarer Republik und der Intellektuellengeschichte. Kontakt: felix.konrad.mueller[at]posteo.de 

Der Rote Frontkämpferbund (RFB), wurde im Sommer 1924 gegründet. Der Kampfbund agierte zwar offiziell autonom, stand de facto aber unter Direktive der Parteiführung der Kommunistischen Partei Deutschlands (KPD).[1]  Der RFB entwickelte sich zu einer großen Massenorganisation, erreichte gar eine ähnlich hohe Mitgliederzahl wie seine „Mutterpartei“ und entwickelte sich durch seine Demonstrationskultur bis Ende 1926 zum öffentlichen Gesicht des Weimarer Kommunismus.[2] Damit kann der RFB als eine der augenfälligsten Erscheinungen der politischen Kultur der Weimarer Republik bezeichnet werden. Bereits die Symbolik des RFB, die im weiteren Verlauf der 1920er Bestandteil kommunistischer Ikonographie werden sollte, verweist auf seinen militanten Charakter: Die Geste der nach oben gestreckten, geballten Faust bildete das Emblem des RFB und war zugleich die Gebärde des Rotfront-Grußes seiner Mitglieder.[3]

Der RFB war die manifeste Folge der politischen Strategie der KPD, die parlamentarische und reformerische Politiken weitestgehend ablehnte. Nicht der Reichstag war das politische Mittel zur angestrebten, zukünftigen Gesellschaft, sondern die Straße, welche sich genommen und zum öffentlichen Schauplatz kompromissloser, „revolutionärer“ Fundamentalopposition, entschlossener Militanz und der eigenen Stärke wurde. Dabei kam es dem RFB nicht auf tatsächliche militärische Taktik, sondern auf die Symbolhaftigkeit und Außenwirkung der demonstrierten Radikalität an. Anstelle einer professionellen „Roten Armee“ auf deutschen Boden, die sich illegal bewaffnete und den Aufstand vorbereitete, handelte es sich beim RFB vielmehr um eine „Demonstrationsarmee“, durch welche die Symbol- und Körpersprache der KPD deutlich soldatischer wurde. In optischer Anlehnung an die Heeresorganisation des Kaiserreiches, die 1918/19 durch das Zutun der Arbeiterbewegung beendet wurde, marschierte der RFB in militärisch anmutenden Uniformen, mit Fahnen und mit Marschmusik in Reih und Glied öffentlich auf.[4]

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Trans Rights and Cultures in the Weimar Republic

Katie Sutton is Associate Professor of German and Gender Studies at the Australian National University. She is the author of Sex between Body and Mind: Psychoanalysis and Sexology in the German-Speaking World, 1890s-1930s (University of Michigan Press, 2019) and The Masculine Woman in Weimar Germany (Berghahn, 2011), and has published on sexuality, gender, and sexology in early 20th-century Germany, including interwar queer and trans subcultures. Contact: katie.sutton@anu.edu.au

In 1932 popular illustrated daily newspaper Tempo, which had a circulation of around 125,000 copies, took up a theme it believed captured the Zeitgeist: “Women who live as men”.[1] This “reportage from an unknown world” by one C. A. Jank ran for almost thirty issues from April to June, detailing stories of individuals assigned female at birth (AFAB) who lived and worked, sometimes for decades, in a society that viewed them as men. 

It opens with the story of Karl, a working-class Swabian who runs into problems at the Berlin unemployment office because his ID document is issued to a “Henriette.” In a colourful report that speaks to Depression-era readers with its evocation of bored queues and timestamps, Karl confronts a perplexed official demanding to know the truth of his gender: “The thing is this: I’m a girl. But for fifteen years I’ve been living and working as a lad.”[2] What might stories such as Karl’s tell us about the development of trans legal rights and cultures during the Weimar Republic?

Jank’s report of Karl’s encounter in the unemployment office forms part of longer biography that goes back to the persistent childhood demands of young “Henriette”: “Mother, when will I become a boy?” Today, we might be tempted to classify his identification as trans(*), although it is not clear whether Karl saw himself in a way that might easily align with such a twenty-first-century label.[3]

By the interwar years, though, adopting the term “transvestite” to characterize gender-variant expressions and identities had become a possibility. Sexologist Magnus Hirschfeld coined this popular label with a bulky 1910 study on the theme, publishing numerous case histories to help distinguish “transvestism” from older ideas of “inversion” or a “third sex.”[4] He viewed cross-gendered identifications as most often a lifelong condition—a view we also see reflected in Jank’s narration of Karl, albeit in a more popular mode. 

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Coming Out Collectively: Stern, 1978

Craig Griffiths is a Senior Lecturer in Modern History at Manchester Metropolitan University. He is a co-founder and co-convenor of the Seminar Series in the History of Sexuality at the Institute of Historical Research, London. His book, The Ambivalence of Gay Liberation: Male Homosexual Politics in 1970s West Germany, was published with Oxford University Press in February 2021. During June 2021, chapter one can be downloaded open-access; copies can be bought at 30% off using code AAFLYG6.

‘We are gay’. With these words, 682 men revealed their homosexuality to the estimated 18 million readers of Stern in October 1978, in the gay movement’s most visible public action of the decade. That there was not a single lesbian among them is symptomatic of the largely separate paths taken by gay male and lesbian activism in the 1970s, although the Stern front cover special does also reveal the threads of inspiration that connected various social movements. This queer intervention in the West German public sphere would scarcely have been imaginable without the foundations paved by feminists in 1971, when 374 women declared on the front cover of the same magazine that they had had an abortion. 

The media

By 1978, the gay movement had reached a certain traction in the mainstream media, the result not least of years of tenacious activism, following the liberalisation of Paragraph 175 in 1969. Indeed, that long-awaited reform to the law penalising male homosexuality had been met with another front cover special, this time in Der Spiegel. Until 1969, the Federal Republic had enforced the 1935 Nazi version of Paragraph 175, leading to more than 25,000 convictions in the 1960s alone.[1]

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Interactions between the regulation of homosexuality and transsexuality since the enactment of the Transsexual Act

Adrian de Silva is a trans and queer studies researcher at the University of Luxembourg with a background in sociology and political science. He received a PhD in gender studies from Humboldt University Berlin based on his interdisciplinary study “Negotiating the Borders of the Gender Regime: Developments and Debates on Trans(sexuality) in the Federal Republic of Germany”. Working across political sociology, sociology of law, sexology and political theory, Adrian’s research engages with processes of minoritizing less common genders and sexualities in liberal democracies, and struggles for social change in these areas. 

On 01 Jan. 1981, the Act to change first names and establish gender status in special cases (Transsexual Act – TSG) came into force in the Federal Republic of Germany.[i] Sections 1-7 TSG lay down the rules for a change of first names and sections 8-12 TSG regulate a revision of gender status in cases of transsexuality. The Transsexual Act was, among other things,[ii] devised against the background of historically-specific manifestations of heteronormativity, which at the time included the delegitimization of homosexual relationships and, according to s. 175 StGB (Strafgesetzbuch; Criminal Code), demanded higher ages of consent for sexual activities between male individuals than between males and females, or between female persons. While gender and sexuality do not necessarily have to be linked to each other, they are, as Butler suggests, interrelated[iii] in contemporary Western societies. However, gender and sexuality are not static. The same applies to the relationship between these fields. The temporary outcome of struggles in one arena may directly or indirectly contribute to, or impede developments in the other. Drawing upon Federal Constitutional Court rulings on relevant provisions of the Transsexual Act and legislation on same-sex partnerships, this blog entry traces how the regulation of homosexuality and transsexuality impacted upon each other since the Transsexual Act was enacted.[iv]

Preventing same-sex marriages and violations of s. 175 StGB in the Transsexual Act

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Marital Rape and Women’s Rights in the Federal Republic of Germany

Jane Freeland is an historian of women and gender in modern Germany. She is currently a research fellow at the German Historical Institute London, where she coordinates the International Standing Working Group on Medialization and Empowerment. She holds a PhD from Carleton University (Canada) and is completing a monograph on domestic violence activism in divided Berlin.

On April 14, 1976, the illustrated news magazine Stern ran a special report on rape in marriage in the Federal Republic of Germany. “Rape,” it began, “It was until today a matter of sexual offenders, perverts, criminals. …for the first time it is now revealed that nowhere is rape committed more than in the marital bed.”[1] Surveying women throughout the Federal Republic on sex and intimacy in marriage, including their experiences of marital rape, for the first time the report revealed that in one in five marriages in West Germany women were raped by their husbands. It further showed that in a majority of cases marital rape was violent, and closely connected with physical and emotional abuse. “The bed,” it seemed to reporter Ulrich Schippke “has become a battleground.”[2]

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A Brief History of Seduction

Chloë Kennedy is Senior Lecturer in Criminal Law at the University of Edinburgh. Her main research interests are criminal law, legal theory, legal history and the relationships between these areas. Her work also focuses on law and gender. Chloë is currently writing a genealogy of legal responses to inducing intimacy. This research is funded by an Arts and Humanities Research Council Research Leader Fellowship grant (AH/S013180/1). 

Seduction is a slippery concept. Once associated with disloyalty and disobedience, seduction is now more commonly associated with the ‘art’ of persuading another person to have sex. Yet even in this context, seduction can refer to anything from gentle persuasion to substantial manipulation. Partly because of this, attitudes towards seduction are often ambivalent. Practices at one end of the seduction spectrum are considered innocuous, or even valuable, while practices at the other end are considered impermissible and condemned as such. Adding a final layer of complexity, it is not always clear where a particular practice belongs on this spectrum and answers to this question vary across time and place.

In this post, I explore the Scottish delict (i.e. civil wrong) of seduction and look at how, for two centuries,[1] it was used to proscribe certain ways of persuading another person to have sex. Though there is much to say about seduction, in this post I focus solely on the conduct that was prohibited. Based on an examination of ~450 seduction cases, I want to suggest that the action of seduction is best understood as a wrong that involved being untrustworthy[2] in socially and culturally significant ways, which revolved around contemporary understandings of marriage and the abuse of power.  

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The Eminent Lesbian or the Passionate Spinster? Posthumous Representations of Amelia Edwards’ Love for Women

Travel writer Amelia Ann Blanford Edwards (1831-1892) loved women. This article examines how various generations of writers have represented her same-sex desire, which material and conjectures underpinned their representations, and how we might approach reading and writing about the desires of Victorian-era women-loving women today.

Bianca Walther is a freelance historian and conference interpreter based in Berlin. She produces the podcast Frauen von damals and hopes one day to finish her dissertation on women-loving women in Germany and Sweden around 1900. She is also interested in historical women travellers and has edited the Indian travel diary of German feminist Anna Pappritz. While simultaneously working on a podcast on Amelia Edwards and studying anti-lesbian rhetoric in early 20th-century literature, she stumbled across an obscure reference to an English tribad who married a pastor’s wife. This blog post is the result.
Helen Ferguson is a freelance conference interpreter and translator based in Berlin, specialised in art/architecture, film, and cultural history.

Amelia Edwards was a talented writer, passionate traveller, and self-taught Egyptologist. She was a successful novelist by the time she was in her mid-twenties, but it was a trip to the Dolomites and a subsequent journey up the Nile that were to establish her fame as a travel writer. Her bestsellers Untrodden Peaks and Unfrequented Valleys (1873) and A Thousand Miles up the Nile (1877) captivated their audience with humorous observations and evocative descriptions of landscapes. 

During her trip to Egypt, Amelia Edwards acquired a lasting fascination with Egyptology. In 1882, she therefore co-founded the Egypt Exploration Fund (today: Egypt Exploration Society) and, during the last ten years of her life, dedicated nearly all her time and energy to it. Her will stipulated that monies from her estate be used to endow the Edwards Chair of Egyptology at University College London, which still survives as the Edwards Professor of Egyptian Archaeology and Philology

Amelia Edwards and Women

While Amelia Edwards’ achievements already made her a well-known public figure during her lifetime, her private life has long remained an enigma – even to her biographers Joan Rees (1998) and Brenda Moon (2006). Amelia Edwards formed emotional attachments almost uniquely with women. As an adult, she lived with Ellen Drew Braysher, a friend 27 years her senior, whose husband and daughter had died not long after Edwards had lost her parents. In early 1864, they moved to Westbury-on-Trym, where they were to live until both women died within the first months of 1892. 

Amelia Edwards in 1890, published: in Edwards, Amelia B. (1891):
Pharaohs, Fellahs and Explorers, New York:
Harper & Brothers (frontispiece).

However, Edwards always had other attachments to women too. Her papers, archived at Somerville College, Oxford, contain a number of letters from painter and world traveller Marianne North (1830-1890), whom she had befriended in 1870. While Edwards’ letters have not survived, Norths’ replies reveal that Edwards had developed quite a crush on her new friend. North, who did not reciprocate these feelings but was obviously relaxed about them, set her boundaries in a gentle and light-spirited tone: “Bless you, what love letters you do write”, she wrote one Friday in May 1871, “what a pity you waste them on a woman!” (SCO ABE 228). A few days later, after Edwards had come up with the suggestion (or should it be ‘proposal’?) of giving North a ring to wear on her next journey, Marianne North writes:

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