Chloë Kennedy is Senior Lecturer in Criminal Law at the University of Edinburgh. Her main research interests are criminal law, legal theory, legal history and the relationships between these areas. Her work also focuses on law and gender. Chloë is currently writing a genealogy of legal responses to inducing intimacy. This research is funded by an Arts and Humanities Research Council Research Leader Fellowship grant (AH/S013180/1).
Seduction is a slippery concept. Once associated with disloyalty and disobedience, seduction is now more commonly associated with the ‘art’ of persuading another person to have sex. Yet even in this context, seduction can refer to anything from gentle persuasion to substantial manipulation. Partly because of this, attitudes towards seduction are often ambivalent. Practices at one end of the seduction spectrum are considered innocuous, or even valuable, while practices at the other end are considered impermissible and condemned as such. Adding a final layer of complexity, it is not always clear where a particular practice belongs on this spectrum and answers to this question vary across time and place.
In this post, I explore the Scottish delict (i.e. civil wrong) of seduction and look at how, for two centuries,[1] it was used to proscribe certain ways of persuading another person to have sex. Though there is much to say about seduction, in this post I focus solely on the conduct that was prohibited. Based on an examination of ~450 seduction cases, I want to suggest that the action of seduction is best understood as a wrong that involved being untrustworthy[2] in socially and culturally significant ways, which revolved around contemporary understandings of marriage and the abuse of power.
Travel writer Amelia Ann Blanford Edwards (1831-1892) loved women. This article examines how various generations of writers have represented her same-sex desire, which material and conjectures underpinned their representations, and how we might approach reading and writing about the desires of Victorian-era women-loving women today.
Bianca Walther is a freelance historian and conference interpreter based in Berlin. She produces the podcast Frauen von damals and hopes one day to finish her dissertation on women-loving women in Germany and Sweden around 1900. She is also interested in historical women travellers and has edited the Indian travel diary of German feminist Anna Pappritz. While simultaneously working on a podcast on Amelia Edwards and studying anti-lesbian rhetoric in early 20th-century literature, she stumbled across an obscure reference to an English tribad who married a pastor’s wife. This blog post is the result. Helen Ferguson is a freelance conference interpreter and translator based in Berlin, specialised in art/architecture, film, and cultural history.
Amelia Edwards was a talented writer, passionate traveller, and self-taught Egyptologist. She was a successful novelist by the time she was in her mid-twenties, but it was a trip to the Dolomites and a subsequent journey up the Nile that were to establish her fame as a travel writer. Her bestsellers Untrodden Peaks and Unfrequented Valleys (1873) and A Thousand Miles up the Nile (1877) captivated their audience with humorous observations and evocative descriptions of landscapes.
During her trip to Egypt, Amelia Edwards acquired a lasting fascination with Egyptology. In 1882, she therefore co-founded the Egypt Exploration Fund (today: Egypt Exploration Society) and, during the last ten years of her life, dedicated nearly all her time and energy to it. Her will stipulated that monies from her estate be used to endow the Edwards Chair of Egyptology at University College London, which still survives as the Edwards Professor of Egyptian Archaeology and Philology.
Amelia Edwards and Women
While Amelia Edwards’ achievements already made her a well-known public figure during her lifetime, her private life has long remained an enigma – even to her biographers Joan Rees (1998) and Brenda Moon (2006). Amelia Edwards formed emotional attachments almost uniquely with women. As an adult, she lived with Ellen Drew Braysher, a friend 27 years her senior, whose husband and daughter had died not long after Edwards had lost her parents. In early 1864, they moved to Westbury-on-Trym, where they were to live until both women died within the first months of 1892.
Amelia Edwards in 1890, published: in Edwards, Amelia B. (1891): Pharaohs, Fellahs and Explorers, New York: Harper & Brothers (frontispiece).
However, Edwards always had other attachments to women too. Her papers, archived at Somerville College, Oxford, contain a number of letters from painter and world traveller Marianne North (1830-1890), whom she had befriended in 1870. While Edwards’ letters have not survived, Norths’ replies reveal that Edwards had developed quite a crush on her new friend. North, who did not reciprocate these feelings but was obviously relaxed about them, set her boundaries in a gentle and light-spirited tone: “Bless you, what love letters you do write”, she wrote one Friday in May 1871, “what a pity you waste them on a woman!” (SCO ABE 228). A few days later, after Edwards had come up with the suggestion (or should it be ‘proposal’?) of giving North a ring to wear on her next journey, Marianne North writes:
